{"id":2049,"date":"2020-10-26T09:42:28","date_gmt":"2020-10-26T08:42:28","guid":{"rendered":"https:\/\/optical-sound.com\/wp\/?post_type=product&#038;p=2049"},"modified":"2022-02-28T10:32:14","modified_gmt":"2022-02-28T09:32:14","slug":"opticalsound-la-revue-7","status":"publish","type":"product","link":"https:\/\/optical-sound.com\/wp\/produit\/opticalsound-la-revue-7\/","title":{"rendered":"OpticalSound La Revue  #7"},"content":{"rendered":"<p><strong>OpticalSound Num\u00e9ro Sept<br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/minard.eu\/do-you-really-want-to-hurt-me\" target=\"_blank\" rel=\"noopener noreferrer\">Pierre Belo\u00fcin<\/a> &amp; P. Nicolas Ledoux<br \/>\nCouverture souple &#8211; 240 Pages &#8211; n&amp;b + pantone rouge &#8211; Format 17,5 x 24 x 2cm &#8211; poids 600 Grs | <strong>15\u20ac + 5\u20ac postage = 20\u20ac<\/strong> | disponible<\/p>\n<p>Sommaire :<\/p>\n<p><strong>jean-baptiste farkas<\/strong><br \/>\n\u00ab la chronique manquante \u00bb :<br \/>\nles chroniques de la soustraction<br \/>\npour opticalsound<\/p>\n<p><strong>nathalie leleu<\/strong><br \/>\nla pierre d\u2019hercule<\/p>\n<p><strong>RYBN<\/strong><br \/>\np. nicolas ledoux<br \/>\nentretien<\/p>\n<p><strong>ariane bosshard, j\u00e9r\u00f4me dupeyrat,<\/strong><br \/>\n<strong>olivier huz et julie martin<\/strong><br \/>\nun acronyme : ACAB<\/p>\n<p><strong>laura kopf<\/strong><br \/>\npierre-yves cachard<br \/>\nentretien<br \/>\nlumi\u00e8re noire : l\u2019oeuvre<br \/>\ngraphique de laura kopf<\/p>\n<p>marianne derrien<br \/>\n<strong>le wonder<\/strong> ou la vie dans le b\u00e9ton<\/p>\n<p><strong>doroth\u00e9e deyries-henry<\/strong><br \/>\na shot in the dark<br \/>\n\u2013 de la nuit au jour<br \/>\ndans l\u2019atelier de vija celmins,<br \/>\nvenice boulevard,<br \/>\nvenice, californie<br \/>\n1962-1975<\/p>\n<p><strong>guillaume aubry<\/strong><br \/>\nregulus<\/p>\n<p><strong>herv\u00e9 z\u00e9nouda<\/strong><br \/>\n\u00e0 propos de catalogue<br \/>\nd\u2019<strong>\u00e9tienne charry<\/strong><\/p>\n<p><strong>maxime ansiau<\/strong><br \/>\ncarte blanche<\/p>\n<p>carole douillard<br \/>\n<strong>amelia jones<\/strong><br \/>\n<strong>suzanne lacy<\/strong><br \/>\n<strong>barbara t. smith<\/strong><br \/>\nentretien<\/p>\n<p><strong>\u00e9ric degoutte<\/strong><br \/>\np. nicolas ledoux<br \/>\nentretien<\/p>\n<p><strong>j\u00e9r\u00f4me grivel<\/strong><br \/>\naur\u00e9lie faure<br \/>\nentretien<\/p>\n<p><strong>vaughan oliver<\/strong><br \/>\nchasseur d\u2019orchid\u00e9es<br \/>\nfr\u00e9d\u00e9ric bortolotti<br \/>\n&amp;<br \/>\nphilippe jug\u00e9<br \/>\net serge nicolas<br \/>\nentretien<\/p>\n<p>alain bergala<br \/>\n<strong>karina godard<\/strong> cr\u00e9ation<\/p>\n<p><strong>gwendoline samidoust<\/strong><br \/>\nthe firework project<\/p>\n<p>eva meyer<br \/>\n<strong>s\u00e9verine hubard<\/strong><br \/>\nl\u00e9a bismuth<br \/>\nentretien<br \/>\nall\u2019s well<\/p>\n<p><strong>yann ricordel<\/strong><br \/>\nresounding new york<br \/>\ncontribution \u00e0 une histoire<br \/>\ndu sound art<\/p>\n<p>emma briant<br \/>\npierre belou\u0308in<br \/>\n\u00ab jeunes filles en fleurs \u00bb<\/p>\n<p><strong>olivier mosset<\/strong><br \/>\npierre belou\u0308in<br \/>\net paul bernard<br \/>\nentretien<\/p>\n<p><strong>enrique ram\u00edrez<\/strong><br \/>\nmes dix disques pr\u00e9f\u00e9r\u00e9s<\/p>\n<p>&nbsp;<\/p>\n<p>\u00ab Nous avons discut\u00e9, glan\u00e9, \u00e9crit, d\u00e9terr\u00e9, remodel\u00e9, trouv\u00e9\u2026 Attendu que la premi\u00e8re vague du Covid-19 passe pour mettre en forme ce num\u00e9ro. Nous attendons la seconde\u2026 Celle de 2021 &#8211; sociale &#8211; qui va exploser comme des grenades et des tirs de flash-ball. Rester \u00e0 terre. Fumig\u00e8nes. Chacun va payer. Il est difficile d&rsquo;imaginer aujourd&rsquo;hui comment le monde de l&rsquo;art sera demain et comment les artistes trouveront la ressource pour encore se relever et tenter de tenir debout, \u00e0 n&rsquo;importe quel prix\u2026 Une in\u00e9puisable ressource. Dans ce nuage blanc on agitera quelques balises, on fera monter quelques-uns sur le podium, on ouvrira quelques bourses, on distribuera quelques prix, on lancera quelques commandes et on louera r\u00e9silience et h\u00e9ro\u00efsme\u2026 Les m\u00eames recettes d\u00e8s qu&rsquo;il s&rsquo;agit de faire supporter la crise aux plus faibles\u2026 Et la troisi\u00e8me\u2026 Et la quatri\u00e8me\u2026 Et la cinqui\u00e8me\u2026 \u00c0 la mani\u00e8re des lames sur un rasoir\u2026 Couper toujours au plus pr\u00e8s. On a r\u00eav\u00e9 \u00e0 coup de r\u00e9unionsZoom et de p\u00e9titions Change que la bulle imploserait et que mille d\u00e9bris refl\u00e8teraient mille lumi\u00e8res. On a r\u00eav\u00e9 ce qui vient. On en a profit\u00e9 pour ranger, classer, trier, ordonner comme pour se pr\u00e9parer \u00e0 un grand d\u00e9part sans destination\u2026 Pour relire ou lire, tout ce qui attendait, revoir ou voir, \u00e9couter, tout ce qui \u00e9tait \u00e0 port\u00e9e. Pour se demander \u00e0 quoi tout cela servait. Et George Floyd a \u00e9t\u00e9 assassin\u00e9, Sarah Hegazy s&rsquo;est suicid\u00e9e\u2026 Ian Wilson est mort. Les Flaming Lips ont sorti American Head. Les expositions de Philip Guston ont \u00e9t\u00e9 report\u00e9es. Et nous avons d\u00e9cid\u00e9 de publier ce num\u00e9ro 7 comme on souffle un peu de bu\u00e9e sur la vitre. Rouge. Bonne lecture. \u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong><a href=\"https:\/\/optical-sound.com\/wp\/produit\/opticalsound-la-revue-7-version-numerique\/\" target=\"_blank\" rel=\"noopener noreferrer\">Existe \u00e9galement en VERSION NUMERIQUE au format .epub. Prix : 4,99 \u20ac<\/a><br \/>\n<\/strong><br \/>\nJean-Baptiste Farkas (les chroniques de la soustraction) \/ Nathalie Leleu (la pierre d\u2019hercule) \/ P. Nicolas Ledoux, RYBN (entretien) \/ Ariane Bosshard, J\u00e9r\u00f4me Dupeyrat, Olivier Huz et Julie Martin (un acronyme : ACAB) \/ Laura Kopf par Pierre-Yves Cachard (entretien) \/ Marianne Derrien (le wonder ou la vie dans le b\u00e9ton) \/ Doroth\u00e9e Deyries-Henry (Vija Celmins) \/ Guillaume Aubry (regulus)&#8230;<\/p>\n","protected":false},"featured_media":2078,"template":"","meta":{"_links_to":"","_links_to_target":""},"product_brand":[],"product_cat":[28],"product_tag":[],"class_list":{"0":"post-2049","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-revue","7":"product_shipping_class-heavy","9":"first","10":"instock","11":"shipping-taxable","12":"purchasable","13":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>OpticalSound La Revue #7 - Optical Sound<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/optical-sound.com\/wp\/produit\/opticalsound-la-revue-7\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"OpticalSound La Revue #7 - Optical Sound\" \/>\n<meta property=\"og:description\" content=\"Existe \u00e9galement en VERSION NUMERIQUE au format .epub. Prix : 4,99 \u20ac  Jean-Baptiste Farkas (les chroniques de la soustraction) \/ Nathalie Leleu (la pierre d\u2019hercule) \/ P. 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